TAG Heuer Unveils the TH-Carbonspring and TAG Heuer Carrera Astronomer

Just as the dust from Watches and Wonders settled, the luxury watch exhibition (born from the pandemic era), Geneva Watch Days, returns. With independent and watchmaking giants that include ZENITH and Furlan Marri, showcasing what’s on their slate, if you’re trying to make an impression at the Geneva Watch Days, by gum, you better make it a big splash.

TAG Heuer didn’t play around as it introduced a new oscillator and a moonphase watch, the Carrera Astronomer. We look into the brand’s innovations.

TH-Carbonspring Oscillator

For more than 350 years, the humble hairspring was an integral part of mechanical watchmaking. Discovered by Dutch polymath Christiaan Huygens in 1675, he paired a balance wheel with a hair-thin spring and since then, the oscillator dictated how time is kept. But despite its excellence, the hairspring has its share of downsides—sensitivity to magnetism, vulnerability to shocks; it is a delicate thing that can upset the whole apple cart.

After nearly a decade of R&D, TAG Heuer has reinvented the ~~wheel~~ oscillator. TAG Heuer’s engineers, watchmakers and scientists worked on the project with an initial product that was supposed to launch in the market in 2019, but fell short of the Maison’s quality standard. Another six years of refinement and we finally got an in-house patented innovation: the TH-Carbonspring.

This carbon-based hairspring is resistant to magnetism, unbothered by shocks, and is lighter than its silicon or metal counterparts. The TH-Carbonspring delivers greater stability, resilience and chronometric precision over the long term.

The First Watches to Carry It

Marking its launch, TAG Heuer chose two of its signature creations to house the new oscillator: the Monaco Flyback Chronograph TH-Carbonspring and the Carrera Chronograph Tourbillon Extreme Sport TH-Carbonspring.

Both models feature forged carbon cases and dials. Notice the spiral motifs on the dials, which echo the geometry of a hairspring. The Monaco is powered by the in-house TH20-60 Calibre, an automatic flyback chronograph with 80 hours of power reserve, while the Carrera carries the TH20-61 Calibre, a chronograph tourbillon with 65 hours of reserve. Each model is limited to 50 numbered pieces.

Carrera Astronomer

For decades, TAG Heuer has always had an easy association with the racetrack. The Carrera model, especially, was born on the racetrack in the 1960s and now sets its sights from the checkered flag to the cosmos: this is TAG Heuer Carrera Astronomer.

The brand’s connection to space isn’t new. In 1962, astronaut John Glenn wore a modified Heuer 2915A stopwatch aboard NASA’s Friendship 7 spacecraft. Glenn relied on Swiss precision to measure each moment as he orbited the Earth three times. Now more than 60 years later, the Carrera Astronomer builds on that moment, trading the rush of race circuits for the slow rhythm of the lunar cycle.

A Trilogy of Designs

From left to right: TAG Heuer Carrera Astronomer Two-Tone Rose Gold Limited Edition; Stainless Steel Core Model; Turquoise-Accented Limited Edition.

Debuting as a trilogy of 39mm references, each Carrera Astronomer model is distinct in character yet united by the same design philosophy.

We have the Stainless Steel Core Model (500 pieces)—a silver dial with a black flange and a black moonphase disc creates stark contrast. Rhodium-plated, the hands are made legible by the Super-LumiNova paint, while the bracelet reinterprets TAG Heuer’s iconic 1960s beads-of-rice design for modern elegance.

The Turquoise-Accented Limited Edition (500 pieces) has a silver dial and dark grey flange, a backdrop for luminous turquoise accents across the numerals, hands and moonphase display. It’s paired with a grey leather strap for a contemporary edge.

Finally, there’s the Two-Tone Rose Gold Limited Edition (500 pieces), where you have 18K 5N rose gold plating on the flange, hands and bracelet. The moonphase features blend seamlessly into the composition with a tone-on-tone execution.

At the heart of the Carrera Astronomer is the newly developed Calibre 7, a mechanical movement with a 50-hour power reserve. At 6 o’clock is the moonphase complication, where a rotating disc presents seven illustrated lunar stages. Two slender arrows track both the moon’s current phase and its place in the 29.5-day cycle, updating daily at precisely 1am to stay in perfect rhythm with the sky above.

Unlike the stylised depictions found on traditional moonphase watches, TAG Heuer’s approach is rooted in fidelity. On the caseback, an engraved astronomical observatory and a victory wreath reinforce the watch’s cosmic inspiration and its spirit of triumph.

Watches and Wonders Geneva 2025: Jaeger-LeCoultre Pays Tribute to the Reverso

At this year’s Watches and Wonders, Jaeger-LeCoultre pulled out all the stops for its homage to its polo origins. It’s booth—the 1931 Polo Club—is an immersive three-storey space that reinterprets horse stables, but it feels more like a museum, a temple of tribute to its enduring icon, the Reverso.

Know Your History

We know the story of the Reverso’s origin—Swiss businessman César de Trey had a problem. In India, British army officers challenged de Trey to create a watch that could tahan the rigours of polo; the watch glass often broke from the impact of the ball or mallet. De Trey worked with Jacques-David LeCoultre, and through Jaeger SA, tasked French industrial designer René-Alfred Chauvot to design a case that, on one side, tells time, and by swivelling the mechanism, shows the hard steel side. Thus, the Reverso—a simple steel watch with a black dial and Art Deco trimmings—would include more variations like baton indexes, coloured dials, gold cases and in the 1990s, high complications.

It’s a stalwart piece. A timeless icon that’s recognisable by its signature traits: the horizontal gadroons, the triangular lugs, and the integrated pivoting case. The blank caseback became a canvas for traditional decorative arts. Jaeger-LeCoultre manufacture is the only establishment that has its in-house gem-setters, enamellers, engravers, and guilloché specialists.

“This Is Just a Tribute.”

With the Reverso history in mind, Jaeger-LeCoultre introduces nine new models to the Reverso collection. Here are two that stood out to us.

From the technical field, we have a Reverso Tribute Minute Repeater with an entirely spanking new in-house movement: the Calibre 953. Minute repeaters are complicated beasts, especially when you’re fitting them into a rectangular case. Not only does it need to tell time, it has to be a mechanical songbird. The chime’s tonality is measured to ensure that each note sounds with clarity and harmony.

The front dial is a hand-guilloché barley-seed pattern with multiple layers of grand feu enamel in a new teal blue colour. When the dial catches the light at certain angles, it forms an optical illusion of movement. Four hours are needed for the guilloche and another eight for the enamelling.

The reverse dial is open-worked, revealing the intricate guts of the repeater mechanism. The layers of moving parts look like they are floating. Notice the hand-bevelled bridges, their silvery sheen contrasting with the case’s pink gold, which contrasts with the black alligator leather strap. The slider at the side of the watch case activates the chimes.

Each Reverso Tribute Minute Repeater comes with a crafted box that houses six distinct limited-edition Reverso models. This is only limited to 30 pieces.

Jaeger-LeCoultre introduced the Reverso Géographique as a travel watch in 1998. In 2025, the House releases a world time complication (a new in-house Calibre 834) to the Reverso Tribute for the first time: the Reverso Tribute Geographic.

A sunray finish graces the front dial with a large date display at 12 o’clock and the circular small seconds display at six. Turn the case over and you’re presented with the world time display set on a polished caseback. The city names are engraved directly onto the caseback; set within the aperture, a rotating 24-hour ring indicates day and night; the world map sits in the middle.

Created in-house, the areas representing the oceans on the map are hollowed out with a laser, which leaves the land masses and meridian lines as raised areas. Then, lacquer is applied by hand to fill in the oceans using a syringe. Finally, the finished disc is polished over and over again until a subtle three-dimensional effect is achieved.

Unlike other world timers, for the Reverso Tribute Geographic, when setting the reference city to 12 o’clock, the city disc rotates while the 24-hour display remains static. It’s operated via a hidden pusher at the top of the case (only accessible when the case is removed from the cradle). Each slide of the pusher moves the ring with a 1-hour jump (if you miss the city, you’ll have to slide 23 more times to course correct).

The Reverso Tribute Geographic is available either in steel and 18k pink gold; the latter is limited to 150 pieces.

For more information, visit Jaeger-LeCoultre’s website.

This story was first seen on ESQUIRE SG.

ZENITH Celebrates 160 years with a special Defy Skyline Chronograph

While some brands chase trends, ZENITH seems to chase the cosmos. And for its DEFY Skyline Chronograph Blue Ceramic model, the Le Locle watchmaker crafted a celestial instrument that doesn’t just tell time but orbits the very limits of contemporary horology.

It is ZENITH’s 160th birthday and this isn’t your average “anniversary edition. For this outing, the DEFY Skyline Chronograph is one of the Maison’s most striking modern pieces. Now reimagined in an otherworldly blue ceramic that glows like the twilight just before the stars wink into view.

Blue has long been the brand’s spiritual hue. A nod to the night sky that inspired founder Georges Favre-Jacot and the brand’s cosmic moniker. And this particular shade of blue is painstakingly engineered; it took months to perfect because ceramic is an unforgiving material to paint on.

You’ll find this blue on the faceted 42mm case and integrated bracelet. With a blue-toned sunray-pattern dial, you’ll find the small seconds located at nine o’clock and the date at 4:30 pm. There is the engraved ZENITH’s signature star motif-a geometric constellation that dances in the light on the dial. Through the sapphire caseback, you can see the star-engraved bearing the “160th Anniversary” mark.

At its heart lies the El Primero 3600 calibre. This high-frequency calibre beats at 5Hz; the central chronograph hand makes a full rotation every 10 seconds, slicing time into 1/10th-of-a-second segments. The timepiece has a water resistance of 10m and has a power reserve of 60 hours.

And while the integrated ceramic bracelet is a marvel of crisp chamfers and sculptural flow, ZENITH includes a rubber strap with the same starry motif—easily swapped in seconds thanks to the quick-change system.

Limited to just 160 pieces, this blue ceramic DEFY Skyline Chronograph 160th Anniversary Edition is a milestone, a reminder that even after all these years, the brand still has its eyes on the stars. An excellent height to always reach for.

This article was first seen on Esquire SG.

Franck Muller's Goes Long with the Long Island Evolution

When you think "boundary-pushing", Franck Muller comes up almost immediately. Known for pioneering technical marvels in horology, the company doesn't just stop at high and grand complication timepieces, its innovation extends on its exterior to include the case and dials craftsmanship, gem-setting techniques, and the avant-garde materials it uses. Remember the iconic Cintrée Curvex first shown in 1987? How did the timepiece's curved case and unique contour come to cement Franck Muller's name? The distinctive silhouette is carried onto the latest evolution of the Long Island Evolution case.

First introduced in 2000, the Long Island isn't just a drink, it is a watch that made a splash with its three-hand design. The model was a tribute to the Art Deco movement and sported a rounded rectangular case, elegant curved form, short lugs, and arched numerals.

In Geneva, Franck Muller unveils a modern reimagining of the Long Island case. These three new Long Island models are homages to the original while introducing radically new expressions.

A standout feature of the new Long Island is the addition of an inner case that secures the "shaped movements that drive the watch". With shaped movements, not only do they maximise the use of space within the case, they also present a visual appeal that’s challenging to engineer. The inner case provides added security and shock protection; the multi-layered construction discreetly attaches the sapphire crystal to the flange, which eliminates visible fixing screws.

In terms of aesthetics, the new Long Island boasts an anodised pine green aluminium inner case that's paired with a black PVD-coated and satin-brushed titanium outer case. The watches are finished off with matte black alligator leather straps with contrast stitching and pine green edges.

Long Island Evolution 7 Days Power Reserve

Rounding off the collection is the Long Island Evolution 7 Days Power Reserve that features a hand-wound FM 1745 calibre in a fully skeletonised design. As a recall to the pocket watch movements, this impressive timepiece, it offers a seven-day power reserve; as a precise oscillator runs at 18,000vph.

The movement’s bridges are fully skeletonised so that you can peer through the sapphire crystal. A small seconds counter at the bottom of the display balances out the enormous mainspring above it. Turn the watch over and you can admire the partially revealed gear train and winding gears; in the dark, Arabic numerals are aglow.

Long Island Evolution Master Jumper

If you have to push the envelope, you go all out. Franck Muller introduces a triple-jumping complication for the Long Island Evolution Master Jumper. While triple jumping displays aren't new, previous ones only do calendar functions in perpetual calendars. For the Evolution Master, there are three numerical indications for the hours, minutes and date functions combined.

There's an inner sapphire crystal at the level of the inner bezel to give that 3D depth to the timepiece. A crystal displays useful text elements that directly incorporate the frames for the three apertures: with the movement to remain open-worked while showcasing technical indications.

Three windows are arranged vertically down the middle of the case. You have got the hours at the top, minutes in the middle, and the date at the bottom. The minute and date windows utilises two separate discs for the tens and ones. Both jump at each decimal increment, while the hour window uses a single disc for hours '1' to '12'. All five discs and their driving wheels are seen through the front, supported by a bridge with machined cutouts.

Powering the numerical displays requires a lot of power. Thus the double-barrel system. The first barrel, located at 12 o'clock, drives the hours and minutes discs. The second barrel, at 6 o'clock, powers the movement and the date discs. A double-barrel system allows sufficient torque for instantaneous jumps, especially at day's end when the date also changes.

As a testament to Franck Muller’s technical prowess, the Calibre FM 3100 was designed specifically for this timepiece. Hand-finished with meticulous techniques, it offers a blend of beauty and technical excellence, resulting from four years of dedicated development.

Long Island Evolution Giga Tourbillon

Franck Muller is always known for its tourbillon designs. From the first multi-axis tourbillon to holding the record for the most complex wristwatch, the brand continues advancing tourbillon design like the Giga Tourbillon movement. This technical marvel features a 20mm cage. Now it graces the Long Island case with an all-black treatment that matches the titanium case.

The oversized tourbillon cage takes up half of the movement. It's supported by a three-pointed bridge mirrored in the barrel bridges holding four mainsprings. These mainsprings provide a generous four-day power reserve that is displayed between the barrels. Super-LumiNova-filled hands indicate the hours and minutes, with the tourbillon doing double duty as a running second counter.

The Long Island Evolution is exclusive to the Asia Pacific region. There are 300 pieces for the 7 Days Power Reserve, 100 for the Master Jumper and only eight pieces for the Giga Tourbillon.

This article was first seen on Esquire.Sg.

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Antony Lindsay, the Newly-Minted Fabergé CEO, on Tradition and Modernity

On a warm afternoon in the middle of nowhere, Antony Lindsay, the newly-appointed CEO of Fabergé sits before us as the ice in a glass next to an unopened can of Coke, tinkles as it melts. As the CEO of a storied brand like Fabergé, Lindsay’s task is to spread the word (and work) of the Romanov’s favourite jewellery house. With Sincere Watch Limited as its official retailer in Singapore, Fabergé continues to make its presence known. And yes, Fabergé is synonymous with the gem-encrusted eggs but the house has other achievements like jewelled boxes; animals carved out of precious stones and other ornamental objects.

In 2007, the brand underwent a revival. Taking inspiration from its storied past, Fabergé created original pieces like the Vissionnaire watches, where a Chronograph model displays two time zones at once, and the Altruist line, which has a clean and simple-to-read dial, with a crown that’s reminiscent of winding up a traditional clock. The collection that secured Fabergé’s footing in the hard jewellery world is the Compliquée models, which won the 2015 Grand Prix d’Horlogerie de Genève award.

As water pools at the bottom of the glass, Lindsay talks to us. About his history, where Fabergé is at and the future.

LUXUO: Did Sean Gilbertson (Fabergé’s last CEO) leave you with any wisdom when you took over?

ANTONY LINDSAY: [laughs] There’s been many over the years. I’ve known Sean, coming up to almost 14 years, and we shared some moments, both good and challenging. Nothing springs to mind... except for this Winston Churchill quote, “If you ever find yourself going through hell, keep walking.”

LUXUO: What’s your journey been like?

AL: I come from a family of jewellers and had an interest in gemmology at a young age. I’ve been neurolinguistically programmed to appreciate jewellery, timepieces and objets d’art just by hanging out at my dad’s atelier on the weekends. I’d look at the gemstones handled by the craftspeople. I have an appreciation for hard luxury and completed my apprenticeship as a bench jeweller. I’m proud of having played such an important role within Fabergé for about 14 years. I’ve worn different hats as well. Proud when I was appointed MD and was invited to join the board of Gemfields UK Limited. As well as becoming CEO this year.

I feel privileged and fortunate to be part of a team to write the next chapter of one of the most celebrated names in luxury. I see that as an honour. It’s the revival of the coloured gemstones on one hand and it’s also the revival of Fabergé on the other. It’s what keeps us very busy.

LUXUO: What sets Fabergé apart from the rest of your competition?

AL: I’d say that Fabergé’s reputation for unrivalled craftsmanship and design is globally recognised. I’d say Fabergé’s diverse use of techniques like the guilloché enamel with the use of hard stone or visible setting. In keeping with tradition, we seek to work with the finest ateliers. Because we don’t have our own workshop, we seek out workmasters all around the world. That’s quite unique to us.

LUXUO: Speaking of tradition, how do you maintain that heritage while courting the newer generation?

AL: That’s a good question. It’s important to us that we pay homage and recognise what was done in the past. We draw inspiration from Peter Carl Fabergé, whether that be through his philosophies, values or craftsmanship. To apply it in a modern and contemporary and relevant way; we like to consider ourselves as a forward-thinking brand.

LUXUO: How did your partnership with Sincere come about?

AL: I’d say that we are actively looking to partner with the finest retailers in existence. We don’t profess to understand every market on the planet. So, we believe that by partnering with the best of the best, who understands how to represent a brand like Fabergé; and how to offer first-class customer service... that’s very important to us. Sincere Watch Group is the perfect fit for Fabergé and we’re delighted that they are representing us here in Singapore and soon in other parts of South East Asia.

LUXUO: What would you introduce to someone new to Fabergé?

AL: I would introduce the Compliquée Peacock watch, which is quintessentially Fabergé. We took inspiration from the Imperial Peacock Egg and, in keeping with the Fabergé tradition, we sought out the finest watch movement manufacturer and that led us to Jean-Marc Wiederrecht of Agenhor and now his two sons, Nicolas and Laurent, who run the business on a day-to-day basis. Throughout the discussions with them, we made the Peacock watch that has a special retrograde movement, that functions off four gears, and that allows us to add a feature for the peacock’s tail to unfurl.

LUXUO: Peacocks, playing cards; are there other motifs that will utilise that movement in the future?

AL: There are some plans and they are confidential. [laughs]

LUXUO: You talked about Fabergé as a book that you’re proud to be part of. What is the next chapter?

AL: To continue this revival and personally—and I know I speak on behalf of my co-workers—it’s about ensuring that the Fabergé story can still be told. What Fabergé symbolises is more than simply luxury and decadence. For us, it’s about creating prized possessions that can stand the test of time and be passed down through the generations. That’s important to us and runs through our DNA. You can scour through Christie’s and see that Fabergé is one of the highly sought-after hard luxury names in existence.

This article first appeared on EsquireSG.com

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